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Beyond Minimalism: Beckett's Late Style in the Theater
Theatre Journal1989Vol. 41(1), pp. 119–119
Citations Over TimeTop 10% of 1989 papers
Abstract
Beckett's later dramatic works defy generic classification as pure theatre, poetry, or prose. Instead, Brater argues, they forge a new aesthetic for themselves. Analysing Beckett's use of disjointed body imagery; mask; abstract monologue; and the experimentation in film and video in the 1980s, Brater demonstrates Beckett's truly avant-garde departure from our concepts of the 'theatrical'.
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